Today, we visited the Frick Collection, a house that spans
over a block. It was built in 1913-14 and is named after former residence and
art collector Henry Clay Frick. To call this house a “collection,” or an
“exhibition,” or even a “museum” is not to do it justice. It also seems unfair
to name it after a man named Henry Frick, even if this was his
house. It’s more like a mini Versailles than anything. Marble sculptures,
paintings that stretch to the ceilings and depict a narrow variety of Biblical,
Classical, Romantic, and Royal scenes. The collection is estimated to be worth $15 million and lives in a house like a square, marble donut
with an indoor courtyard at the center. It's all reminiscent of a more
lavish, decorative time. Think 18th Century France meets pre-WWI
Downton Abbey meets modern day 5th Ave. Three elderly women are
sitting on a bench below a Turner painting of a dock in Cologne. The sky is
blue, the river is yellow, and the boats and buildings are the color of a
sunset. The women speak French, and they chew on hard candies and check
Facebook on their iPhones, like they’re in three different decades at once.
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